Creating a Story Arc #OpenBook Blog Hop

Aug 17, 2020

What is story arc to you?

There are authors that plan out their entire series before they start writing. They know how many books they want, how many words they want in each book, and the story line from beginning to end across the entire series. I’m not one of those authors.

When I wrote Wolves’ Pawn, I had no intention of making it into a series. The second book, Wolves’ Knight, came as a total shock when Tasha, the main character, forced her way into writing plans. Although the books share characters, they aren’t dependent on each other. You can read them in any order. The same is true for Wolves’ Gambit, the third book in the series.

But there are several underlying story lines in the series. However, I suspect not many readers see them, that they exist mainly in my head. I can see one of them developing into another book. I don’t know if I’ll ever write it, unless it’s for my own satisfaction, because the series didn’t sell well.

Then you have the mysteries. I knew before I completed the first draft of the first book that it had the potential to be a series. But I don’t believe in writing cliffhanger endings, so I made sure that I wrapped the story up nicely so readers would be satisfied.

And in Harmony’s case, the series is chronological. Although some of the books stand well on their own, I highly recommend they be read in order. There is a strong romantic subplot that evolves through each story. That, and Harmony’s personal growth is clearer. (She surprises me all the time!)

There’s no huge revolution in the mysteries. No overthrowing the evil king and saving the prince and the kingdom. No quest to return a ring to the forge where it was created. (Granted, there’s a minor revolution in the Free Wolves books.) Those aren’t requirements for a story arc, in my opinion.

All it takes is a continuing story. Harmony does more than move from one mystery to another. We get to share in her personal life—the changes in her jobs, her interactions with the police, overcoming her fears. The Harmony I’m dealing with in The Ranger’s Dogtags, my current work-in-progress, is not the same as she was in The Marquesa’s Necklace. 

And I’m enjoying this improved version. She’s being forced into situations that make her uncomfortable, and she’s handling them like a pro. Everything she’s learned along the way come into play. Here’s a quick example. 

Once upon a time and far away, we practiced yelling in the self-defense course. I drew on that memory now. Filled my lungs. And screamed.

My shout echoed in the night. His throw faltered. The light arched through the darkness. Bounced against the house. Landed in the juniper bushes that lined the front. He bolted towards the neighbor’s yard and beyond.

I had two choices. Chase after the arsonist. Put out the fire. The bushes were expendable. Eli’s home wasn’t. I dialed 911. And grabbed the garden hose.

Originally unplanned, I am bringing in additional characters from The Marquesa’s Necklace into this new book. I won’t tell you who. Not yet. But they will tie into the story I told in the first book.

And that’s story arc. It doesn’t even have to be across a series. It can (and should) happen within one book. There’s a challenge, attempts to solve the issue, and a resolution. The basics of any story.

Don’t forget to check out what the other authors on this hop have to say. (You can do that by clicking on the links below.) And, until next time, stay safe! 

Aug 17, 2020

What is story arc to you?

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10 Comments

  1. The most exciting thing is meeting a new character and wondering if they will just share one adventure with you. Some, like Andorra Pett, stick around, others tell their story and disappear.

    • And I have a character that won’t share his story. Even after appearing in six books, I’m still not sure if he’s a good or a bad guy. I tried to write a short story from his point of view, but he wouldn’t tell me his secrets

  2. I think mysteries need a definable ending in order to satisfy the reader. Thriller apocalyptics, on the other hand, don’t appear to need that … and, in fact, I think the series is doing better because each book suggests you read the next to satisfy the mystery of the last pages of the previous book. It just depends on the genre.

    Some characters just tell their story and disappear. So true! And some tell their stories for a while and then they stop. That’s what happened with Jacob Delaney. A great character, but at 95-years-old and facing the apocalypse, I wasn’t really surprised when his story reached a point and stopped. And three books later, I reached the end of that story and had to decide what to do with him. Unlike some other silent characters who I can kind of see a future for, I knew Jacob would want to “go home to his bride”, so I wrote his departure in that way. Then I was surprised when he and Vi showed up in “Winter’s Reckoning”. They never hinted they would do that. So, they’re dead, but I’m not sure they’re gone.

    • Sometimes you just have to tell characters the way it’s going to be, and sometimes they insist on their own way no matter what you think!

  3. Pingback: Creating a Story Arc #OpenBook Blog Hop | aurorawatcherak

  4. Cliffhangers are so disappointing! I want to know more!

    • I agree. I read one series where about the twelfth book in the series, the author ended with a cliffhanger. I felt cheated. Especially as he normally wrote one book a year and it would be a long time the new book hit the market.

  5. Okay, I love the point you made about lots of it being in your head, because I thought about that, too, but didn’t mention it. I go in depth in my head, and I have a feeling it’s largely for my purposes only. I’m not sure how much of my embedded stuff is actually seen.

    • If it’s like my stories, I suspect there’s a lot that isn’t seen.Like subliminal messages, almost.

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